Dutch children's and youth literature does rather well abroad. Classics, such as works by Annie M.G. Schmidt (1911-1995) and Guus Kuijer (1942) are often translated. Minoes is the most successful Dutch children's book abroad; Schmidt's “cat story” has been translated into thirty different languages. However, not only do classics do well beyond the borders of the Netherlands, but young Dutch writers are also well and increasingly represented on the world market of children's and youth literature. Such a representative is writer Anna Woltz (1981). She has written 26 books so far and her works have been translated into 24 different languages. Thanks to the active and committed work of the Pagony Publishing House, five of Woltz's books have already been translated into Hungarian by translator Andrea Rádai. Honderd uur nacht (Querido, 2014) (A Hundred Hours of Night) was the icebreaker, not only in Hungary, but also in Woltz's career. #Childrens' Literature

As a child, Woltz was not only an avid reader and frequent visitor of her local library, but her writing career also dates from that period of her life: she started writing when she was twelve. Her talent was obvious. At the age of 15, she wrote a year-long column for de Volkskrant about her experiences at secondary school. These stories were collected in 1998 under the title Overleven in 4B (Surviving 4B) and published by Nijgh & Van Ditmar. She made her debut in 2002 with her first children's book Alles kookt over [Everything boils over], published by Leopold publishers. A decade later, she moved to publishing house Querido within the Singel publishers. Shortly after, her career took a turn: in 2014 her book Mijn bijzonder raar week met Tess [My especially weird week with Tess] won the Vlag en Wimpel prize and a year later the same book was awarded by the Flemish Children and Youth Jury. Honderd uur nacht (A Hundred Hours of Night) was also nominated for the prestigious Woutertje Pieterse Prize and won the Nienke van Hichtum Award in 2015. #Prizes

Considering the translations of her work, the beginning of the 2010s can be seen as a milestone. The very first translations appeared in Slovenian (2012) and Danish (2013). Translations into Japanese and Hungarian followed in 2014. In translation sociology terms, these are all peripheral languages. Translations into central languages followed at a rapid pace in the following years, the first German translation appearing in 2015 and the English in 2016. Both national fame and recognition through the prestigious awards and international fame through translations into peripheral and central languages provided the breakthrough, with which Woltz’s name became known outside the Netherlands. The best example of this is her own authorial chapter in the publication The Book of Children’s Books, which was specially compiled for the Frankfurt Book Fair in 2016 when the Netherlands and Flanders were the guests of honour. This publication features a total of fifty Dutch and Flemish children’s book authors with one of their titles in the spotlight. Woltz’s name is on this list, with A Hundred Hours of Night receiving extra attention in the chapter.

In the same period, the remarkable translation process of A Hundred Hours of Night into Hungarian took place. This translation is not only remarkable because of the history of the translation of Woltz’ work (the book being the fourth translation to her name). Also, because of the relatively short time in which after the publication of the original Dutch version, the Hungarian translation came into being: Querido published A Hundred Hour Night in April 2014 and in the same month sold the translation rights to Pagony, which then signed the contract with translator Andrea Rádai in June. Again a few months after that, in October, the Hungarian translation appeared. Given these dates, at first glance it might seem that Woltz was already an internationally known writer in 2014, but as it has been described in the previous paragraphs, at that very point the doors were opening for Woltz to become internationally acclaimed.

The fact that the contract between Querido and Pagony was signed in the month of the original Dutch publication is also partly due to the Bologna Children's Book Fair, which was also held in the same month. The two rights managers, Luciënne van der Leije (senior rights manager, Querido) and Hanna Győri (Pagony) met during the Bologna book fair and as a result of their conversation, the translation rights were sold to Pagony. It was not the first time that the two professional women had met each other; the mutual good experience is based on the fruitful working relationship between the two. This contact has already resulted in previous Hungarian translations of Dutch children's and youth works. However, there is a third, equally important player that reinforced this contact with its support, namely the Dutch Foundation for Literature, represented by Agnes Vogt, as genre specialist of children's and youth books. The translation of A Hundred Hours of Night into Hungarian was also subsidised by the Letterenfonds, the application by Pagony was submitted and approved in autumn 2014, as a result of which 70% of the translation costs were reimbursed by the Letterenfonds. As a result of all these factors, the Hungarian translation, under the title Száz óra sötétség was published on 31^st October 2014, a short seven months later after its original publication.