The first translation of a work by a Caribbean author to appear in the German language area was Anton de Kom's Wir Sklaven von Surinam [We Slaves from Suriname]. The translation was done by the Dutch writer and translator Augusta de Wit, who was a member of the Communist Party of the Netherlands. De Kom's book was published in the Netherlands in 1934 with the help of the CPN and first appeared in German translation in Moscow (Verlagsgenossenschaft Ausländischer Arbeiter in der UdSSR). A year later, the translation by Augusta de Wit was also published by the Ring-Verlag in Zurich. De Kom's indictment of racism and oppression, and his plea for a society based on equality, tolerance and solidarity was re-published in the Netherlands in 2020 and became a bestseller. The re-published work was then immediately translated into several languages. The German translation by Birgit Erdman appeared with the publisher Transit in Berlin. De Kom's "Cry for justice" (Brockschmidt, 2021) apparently came at the right time:

The fact that Albert Helman was born in Paramaribo was probably not the reason for the first translation of his work into German. Like De Kom, Helman actively fought for the rights of the Surinamese, but books like Zuid-Zuid-West [South-South-West] (1926; the first novel by a Surinamese author in Dutch)) and Stille plantage [Quiet Plantation], novels that deal with the matters of exploitation and oppression in Suriname, were not translated into German. On the contrary, the first book by Helman to be translated into German was a Mexican novel: Der Rancho der zehn Mysterien [The Rancho of the Ten Mysteries] (1949), the story of Albert who meets all sorts of mysterious people at Salustiano's ranch, was translated by Irma Silzer. The book was well received:

Der Rancho der zehn Mysterien was thus received as an adventure novel, thereby fitting with the translations of Irma Silzer, who had debuted in 1947 with a translation of Jan de Hartog's Holland Glorie. Irma Silzer worked on a great variety of titles that often appeared with Swiss publishers. She translated works by among others Godfried Bomans, A. den Doolaard, Maria Dermoût, Marga Minco and Arthur van Schendel, but adventure novels (Elsing, Fabricius) formed the bulk of her work.

Particularly successful was her translation of a youth novel: Die Kinderkarawane [Children on the Oregon Trail] by An Rutgers van der Loeff-Basenau, which tells the story of the adventures of thirteen-year-old John Sage, who emigrates to North-West America with his siblings. Two more novels by Albert Helman appeared in the German language area in the 1950s: Sturz in den Vulkan [Plummet into the Vulcano] (1953) and Glühende Stille [Smoldering Quietness] (1955), both translated by Irma Silzer, after that it became quiet around Helman in the German language area for a long time. Rather unexpectedly, Albert Helman returned to the spotlight in the 1990s when the translation of his novel in five speeches - Hoofden van de Oyapok! (Häuptlinge von Oayapok!) - was published in the Straelener Manuscripte. At last the topic of Helman's early novels was also being discussed in the German language:

"Hoofden has a unique narrative structure through which the author leads the European readers to define themselves not in opposition to ‘the other’ (civilized against savage), but, instead, to view themselves as both ‘we’ and ‘you’, as both civilized and savage, a perspective that undercuts western ideology." (Van Neck-Yoder, 1988)

From the beginning of the twentieth century on, Dutch literature from the so-called ABC islands (Aruba, Bonaire and Curacao) flourished.

The 'big four' of the region are Cola Debrot, Boeli van Leeuwen, Tip Marugg and Frank Martinus Arion. Of these four authors only works by Frank Martinus Arion and Tip Marugg were translated into German.

Frank Martinus Arion is probably the best known author from Curaçao. His novel Dubbelspel [Double Play] appeared in 1973 and was translated into German in 1982 under the title Doppeltes Spiel. The book, that was published by Peter Hammer in the book series Dialog Dritte Welt [Dialogue Third World], tells the story of four men and two women who play dominoes. The game gives inspires the characters to reflect on the political and social situation on Curaçao. The story also reflects the spirit of the time around May 1969, when a workers' strike in Curaçao decayed into looting and arson. The workers' uprising is also one of the central themes in Tip Marugg's De morgen loeit weer aan [The Roar of Morning]. His third novel received a lot of attention in the Dutch speaking world because of its nomination for the BookSpot Literature Prize in 1988. It was "the first Antillean novel ever to appear in the Dutch top-ten bestseller list" (Rutgers, 1988). According to the database of the Dutch Foundation for Literature (https://letterenfonds.secure.force.com/vertalingendatabase/), the German translation by Waltraud Hüsmert was published in 1991 (Twenne-Verlag, Berlin), but the book did not receive an appropriate response. In the context of the Frankfurt Book Fair the book was republished in 1993.

Around 2010, a new generation of authors conquered the market in the Dutch-speaking world. Authors such as Etchica Voorn, Johan Fretz, Gerschwin Bonevacia, Dean Bowen and Roberta Petzold were awarded prizes, performed on high-profile television programmes and presented themselves in newspapers and magazines. These authors are bicultural, but different from their older colleagues. Their work is also determined by topics such as slavery, decolonization and diversity, but the distance is greater. The new generation is geared towards "international literature" and more deeply "rooted" in Dutch culture than before (A new generation of Dutch-Caribbean writers). When it comes to the Caribbean, this happens mainly indirectly, in the form of a recalling of the past, a return to the country of one's parents.

Radna Fabias was born on Curacao and is one of the big stars of the new generation. She received no less than five major prizes for her poetry anthology Habitus (2018).

“Her poems may evoke a tropical island, but they masterfully use irony and cutting stereotypes and ready-mades to address the familiar clichés about the island’s idyllic life and landscape. “Using overwhelming force, she drags the reader into a sweltering in-between space,” (Streekstra, 2021)

The anthology Habitus was published in German translation in 2022 by the publisher of regional and international poetry Elif (Nettetal). The translation of the poems was done by Stefan Wieczorek, who in 2022 presented poems by Ester Naomi Perquin with the same publisher.

In 1991, an anthology of poems by the poet Hans Faverey, who was born in Suriname (Paramaribo) but grew up in Amsterdam, was published by Kleinheinrich in Münster. The poems were translated by Rosemarie Still, who also translated works by Louis Paul Boon, Hugo Claus, Tessa de Loo, Gerhard Durlacher, Willem Frederik Hermans, Judith Herzberg, Lucebert, Cees Nooteboom and Jan Wolkers. Hans Faverey is considered to be one of the most prominent and influential twentieth-century poets of the Dutch language area. His work has been translated into several languages, but in the German-speaking world no further titles have been published.

The publisher emphatically regrets that no more than 200 copies of Gegen das Vergessen [Against Forgetting] were sold. Although the authors Kleinheinrich presents in their own language area are among the greatest and most important, abroad they unfortunately often lead a "schadowy existence" (Kleinheinrich, 2001). Fortunately, publishers like Kleinheinrich keep on trying despite the difficulties.